Wednesday, February 4, 2009

FILM DEVELOPMENT

What happens during development

When you expose film to light, by opening the shutter, the light reacts with the light-sensitive silver-halide particles in the film emulsion. At this point, the reaction is invisible. The film must be developed in order for the reaction to be visible. The film is developed using a chemical developer, which turns the exposed silver-halide particles into a black metal (silver). The film stays in the developer for the correct time to turn the right amount of halides into silver. The dark areas in the original image will have the least amount of silver on the film, and appear transparent. The lighter areas, conversely, will have the most silver. This effect is why the developed film is called a negative. In order to stop the development process, water is used. It neutralizes the effects of the developer. At this point the film is developed, however the image is not permanent, there are still unexposed silver-halides in the emulsion. If these particles are exposed to light, they will turn into silver quickly. The film has to be made permanent, this is done with a chemical fixer. The fixer attaches itself to the unexposed silver-halides, preventing them from reacting to the light. The final stop is to remove all traces of the chemicals in a wash step. If fixer is left on the film, it will eventually stain the image. There are additives, like Kodak Hypo Clearing Agent, which can speed up the wash process. After washing, the film must dry.


To develop film you'll need:
  • Running water
  • Chemical Manufacturer Specifications
  • Measuring beakers
  • Place where you can mix liquids
  • Very accurate thermometer, and a method of temperature control
  • Funnels
  • Storage Bottles
  • Developer
  • Fixer
Read the time chart on the side developer container to determine your film, time, temperature combo. Photo developing chemicals can be hazardous, particularly in concentrates, so always use with care.
  1. Measure a certain amount of water at a specific temperature - BEST AT 68 degrees -it's usually easier to have the water hotter than the required temperature and let it cool down, or even use an ice cube to lower the temp (remove the ice cube when the water reaches the right temperature)
  2. Measure a certain amount of concentrate. 1:1- 1 reel tank = 8oz.
  3. When the temperature of the water is at the specified temperature, pour in the concentrate, stirring constantly.
This is the general process, always be sure of your film, temperature, developer combo is correct before proceeding. Use the thermometer during the mixing of chemicals to make sure that you are following the manufacturers recommendations - read the labels.

Starting to Develop

Gather together:
  • A film processing tank and one 35mm reel for each roll you will develop. Some people prefer plastic tanks and reels.
  • A pair of scissors, to cut the film.
  • Measuring graduate(s), to measure the correct amount of chemicals for your film.
  • An accurate thermometer, to determine the temperature of your chemicals and the correct developing times.
  • Film clips or wooden spring-type clothes pegs, to hang your film to dry.
  • A can opener to open your film canister.
  • An accurate timer to time your processing - this can be a watch with a second hand. Some people prefer to use their phones
  • A light proof room, closet or changing bag.
  • Developing chemicals - Developer, Fixer, water

Loading the Film on the reels

  1. Before trying to load film in darkness, practice loading your reel numerous times in light with an old piece of film. Do this until you can do it with your eyes closed.
  2. Put the tank, reel(s), film and scissors in the darkroom in an orderly fashion that makes sense to you.
  3. Check that the room is dark and the door is securely closed.
  4. Open the film canister with a can opener being careful with the open edge.
  5. Pull the film out of the canister - it's wrapped around a spool.
  6. Try to touch the film only on the edges - try not to touch the emulsion.
  7. Trim the end of the film square - cut across the film at a 90 degree angle to give you a straight edge.
For stainless steel reels -
  1. Hold the reel in your left hand with your thumb in the center of the reel, with the spiral turning outward clockwise from your thumb (if you are left handed you may want to reverse the hands and the rotation directions)
  1. Hold the film in your right hand, the spool of film held loosely between your little fingers and palm, and the film as it comes off of the spool between your forefinger and thumb.
  2. Gently squeeze the film between your right thumb and finger, it should curve slightly across the width of the film. It should curve upwards - as long as the spool is feeding over the top (counter clockwise) through your fingers.
  3. Push the end of the film into the center of the reel - some reels have a spring clip to hold the film others have the horns that catch the sprocket holes, I prefer the ones without the horns.
  4. Maintain the gentle squeeze on the film, think ladybug or baby kitten. As you rotate the reel slowly counter clockwise, gently feed the film into the reel. When you practice this you can see that the film is settling in the coils of the reel. Note how this feels so you can tell if you are doing it right in the darkroom.
  5. Continue until you reach the end of the film. Cut off the film at the spool.
  6. Continue sliding the film onto the reel, until it is all on the reel.
  7. Place the rolled film in the canister and securely attach the lid.
  8. Make sure anyone else in the darkroom with you is prepared and open the door
  9. MOST IMPORTANTLY - clean up any mess left behind.

For plastic reels -ask for help. We prefer you to use stainless, you'll thank us later...

Preparing to Develop Black and White Film

  1. For this step you need: Loaded tank, chemicals, water, and a thermometer. This is the critical step in developing Black and White film. Using the wrong amount of chemicals, or the wrong temperature or time will adversely affect your film. Most developers have an optimum temperature. The developer we use - D76 is rated for 68 degrees.
  2. REMEMBER- the four most important aspects to film development are:
  3. TIME
  4. TEMPERATURE (Usually 20°C or 68°F)
  5. AGITATION
  6. and DILUTION (Generally 1:1)
  7. Mix the chemicals according to the manufacturers instructions (1:1). Pour the correctly diluted solutions your developing tank - make sure you have the right amount for your tank - it's listed on the instructions. It is best to use the same temperature every time, for consistency, rather than adjusting the time for different temperatures.








Developing Step

  1. fill the tank with water roughly the tempurture of your developer and presoak you film to "wake it up" for processing. Bang. Tap the tank on a hard surface - helps to dislodge any air bubbles.
  2. When you are absolutely sure the developer is at the right temperature pour it in your tank at a slight angle - start the timer set according to development chart.
  3. Agitate for the first 30 seconds
  4. Continue agitating at regular intervals throughout the developing stage. I suggest agitating for the first 30 seconds, then each minute thereafter, at the top of the clock for about 10 seconds.
  5. The most important part about agitation is to do it the same way every time. Some people say I over agitate, but it's the way I started, and I do it consistently.
  6. At the end of the time, based on the development chart to start, later you will refine your developing time, remove the outer cap (ONLY!) and pour the developer out, either down the drain with running water or into a bucket for later disposal.

Water bath

  1. Pour the H20 into the tank, through the hole in the inner lid, then put the outer lid on.
  2. Agitate continuously for 30 seconds. But don't forget to invert and bang.
  3. Remove the outer lid, and pour out the chemicals.

Fixer

  1. Pour the fixer into the tank from the container clearly marked FIX, through the hole in the inner lid, then put the outer lid back on. Be sure to make a hash mark on the continer for every roll of film you develop.
  2. Agitate. I agitate for about 20 seconds, then every minute for about 10 seconds.
  1. At the end of the manufacturers recommended time - 5 mins for normal film, 10 mins for T grain film. Remove the lid (it's now safe to remove the whole lid if you want), and pour the chemistry back in the container. DO NOT POUR FIX DOWN THE DRAIN!!

Rinse and Hypo

  1. Remove the inner lid.
  2. Run water into the tank. I like to run water for about 15 seconds.
  3. Fill tank with Hypoclear and agitate consistantly for 2 minutes.
  4. Pour Hypoclear back into the correct container, be careful not to mistake FIX and HYPO bottles.

Washing

1. Place film in Turbo washer - turn on water to create bubbling, think champaine not fish
filter.
2. Wash film for 5 minutes. CLEAN-UP WHILE YOUR FILM IS WASHING!
3. *Be sure to never add film to wash once initial cycle has started.

Photo-flo (LFN)
  1. Empty the tank, and fill with wetting agent (Kodak Photo Flo, diluted correctly - 5 drops to distilled water).
  2. Put the reel(s) in the wetting agent according to the recommendations (30 seconds).
  3. Remove the reel from the tank.
  4. Slowly pull the film off of the reel.
  5. Using your fingers as a squeegee, ever so gently, squage your film over the waste basket to remove any water droplets.
  6. RESIST THE TEMPTATION TO LOOK AT FILM WHILE WET, unless you like dust.
  7. Weight the bottom of the film, with clothes pin, or film clip. Be careful to not scratch the negatives, they are very soft at this point.
  8. Hang in the drying cabinet
  9. RELAX... film takes about 20-30 minutes to dry. Weather permitting.

Storing

  1. Remove the weight from the bottom of the film.
  2. Count up 5 frames, cut between the 5th and 6th frame. 5 frames fits across an 8" sheet of paper, and fits into negative sleeves.
  3. Put each strip into a separate negative sleeve.
  4. Label the sleeve with a sharpie
  5. Keep cutting into 5 frame lengths until you've cut the entire length of film.
  6. NEVER LEAVE ONE FRAME AT THE END, better to have at least 2 frames next to each other.

Saturday, January 31, 2009

PINHOLE HISTORY

PINHOLE FILM CANISTER CAMERA

Pinhole photography is making an image without a lens. A small needle sized hole replaces the lens. Light passes through the perforation in the foil; an image is formed in the film canister.


Roughly what you will be making.

No one in our class tried the round end.

Some of people in our class that didn't
try using the round end of the canister


Pinhole cameras come in all sizes, yours will be small but some are large, very large! The image your camera will produce will be roughly a 2x2 square, a recent World’s record camera was created in an airplane hanger creating an image 28 x108 feet long. Cameras have been made of fruit, in a loaf of bread, in a persons mouth, but most commonly are made out of oatmeal or shoe boxes. Basically a pinhole camera is a box, with a tiny hole at one end and film or photographic paper at the other.



World's largest pinhole image- converted airplane hangar produces 28-by-108 foot black-and-white image

The worlds smallest pinhole images- Justin Quinnell
'SmileyCam' pinhole camera



Building your own camera can be a great learning experience. Making pictures with a camera you have made yourself out of simple materials is a way to understand photography at a very basic level. In fine art photography the pinhole camera is just an imaging device with its advantages and disadvantages. It has unique characteristics and surprising results. By trial, error, and using your imagination the camera has amazing potential.


Here are some images from other pinhole film canisters:




Animals

Creepy



The only thing cooler than a pinhole image... is a pinhole image of a bike

or a zoombie


HISTORY BEFORE THE PINHOLE CAMERA

Camera = Latin for “room”
Obscura = Latin for “dark”


"Who would believe that so small a space could contain the image of

all the universe? O mighty process! What talent can avail to

penetrate a nature such as these? What tongue will it be that can

unfold so great a wonder? Verily, none! This it is that guides the

human discourse to the considering of divine things. Here the

figures, here the colors, here all the images of every part of the

universe are contracted to a point. O what a point is so marvelous!"

--Leonardo Da Vinci's comments on the "Camera Obscura" (Dark Room), or what we today call the pinhole camera.

1725 - Leonardo da Vinci gave a clear description of the Camera Obscura in the 16th century.

How the Camera Obscura works:

How to make a Camera Obscura:

Other Camera Obscuras:
French inventor Joseph Nicéphore Niépce uses a camera obscura.
Note to self: remember Niepce, we'll get back to him.


Until the early 1800's Camera Obscura was only used to aid drawing (artist could trace the outline of the image on a canvas hung on the wall) and was considered quite significant in the development of proto-photography.


Camera Lucida
In the years before the announcement of the first photographic processes in 1839, artists who wished to make a quick record of a scene with the correct prospective used a Camera Lucida.The original design of the camera lucida was published by William Hyde Wollaston (1766-1828) in 1807





Pinhole Camera
A pinhole camera is a very simple camera with no lens and a single very small aperture. Simply explained, it is a light-proof box with a single hole in one side. Light from a scene passes through this single point and projects an inverted image on the opposite side of the box. Cameras using small apertures, and the human eye in bright light both act like a pinhole camera.

The smaller the hole, the sharper the image, but the dimmer the projected image. Optimally, the size of the aperture should be 1/100 or less of the distance between it and the screen.

A pinhole camera's shutter is usually manually operated because of the lengthy exposure times, and consists of a flap of some light-proof material to cover and uncover the pinhole. Typical exposures range from 5 seconds to hours and sometimes days.




1814 Joseph Nicéphore Niépce achieves first photographic image with camera obscura - however, the image required eight hours of light exposure and later faded.

Monday, January 26, 2009

Spring 09 Photo Schedule

Basic photography
ART 260 SSU Spring 2009

Class Schedule

Monday January 26, 2009
Syllabus
First day introductions
Expectations

Wednesday January 28, 2009
Pinhole camera from film canister
Darkroom demo
Shoot pinhole images around campus

Monday February 2, 2009
Develop paper negatives
Lab
Discuss 35mm cameras

Wednesday February 4, 2009
Shoot roll of film around campus applying shutter speed and apertures
Demo film development

Monday February 9, 2009
Develop campus images
Demo Ray-o-grams
Demo contact sheets
Lab day

Wednesday February 11, 2009
Lab day
Quality of light
36 in 24

Monday February 16, 2009 - HOLIDAY

Wednesday February 18, 2009
Lab day
Show pinhole images, contacts sheets from around campus, and 36 in 24 at end of class
Music Project




Monday February 23, 2009
Lab day
History of Photography

Wednesday February 25, 2009
Lab day

Monday March 2, 2009
Lab day
Digie demo

Wednesday March 4, 2009
Lab day

Monday March 9, 2009
Lab day

Wednesday March 11, 2009
Critique Music
Discuss Literary Project

Monday March 16, 2009
Lab day

Wednesday March 18, 2009
Lab day

Monday March 23, 2009
Lab day

Wednesday March 25, 2009
Lab day

Monday March 30, 2009
Lab day

Wednesday April 1, 2009
Lab day

Monday April 6, 2009
Lab day

Wednesday April 8, 2009
Critique Literary project
Discuss finals




Monday April 13, 2009 - SPRING BREAK

Wednesday April 15, 2009 - SPRING BREAK

Monday April 20, 2009
Lab day
Work toward final projects

Wednesday April 22, 2009
Lab day

Monday April 27, 2009
Lab day
Work toward final projects

Wednesday April 29, 2009
Lab day

Monday May 4, 2009
Lab day

Wednesday May 6, 2009
Lab day

Monday May 11, 2009
Lab day
Tying up loose ends for final projects
Photo finishing / spotting

Wednesday May 13, 2009
Lab day

Monday May 18, 2009
Photo finishing / spotting
Discuss last minute problems with finals

Wednesday May 20, 2009
Final Critique _______pm - ________ pm

Sunday, January 25, 2009

Syllabus

ARTS 208 Beginning Black and White photography
Section 001 - Spring 2009
M-W 1p – 4p
Room 109
INSTRUCTOR: Rob Keller
Email: bordog@napanet.net
Office# 128 Phone: 664.2364
T/A: Brian Werle
Email: werle@sonoma.edu

OFFICE HOURS: M-W 4p or by appointment

COURSE DESCRIPTION
This is an introductory art course which is structured to provide a
solid foundation in black and white photography. Instruction will include 35mm camera operation, film exposure and development, printing, basic lighting concepts, composition, and finishing. Through specific assignments students will not only acquire technical skills, but also develop their own artistic vocabulary by learning to use the photographic medium as a means of creative expression.

PROJECTS
Projects will be graded on both technical proficiency and creative visual content. Students will be expected to discuss and defend their work. Assignments will demonstrate mastery of technical skills and individual creative expression. Through photographic presentations and discussion, students will gain familiarity with the critical and theoretical debates surrounding photography and analytical dialog.

HANDOUTS AND LECTURES
Each week there will be a lecture and students will receive handouts with the information needed for the next week's assignment. The schedule may change at any time during the semester. If you miss a class or assignment you are responsible for contacting the instructor.

ATTENDANCE POLICY
Attendance means arriving on time and staying for the entire class session. You must be present at all critiques whether or not you have completed the assignment. All students are required to have active communication and dialog. Failure to be an involved participant in the class, tardy arrivals and early departures will affect your final grade. If you have more then 3 unexcused absences you could be dropped from the class. Due dates are important, late assignments result in a lower grade.



GRADING
All aspects of the class are equally important:
Quizzes – 20%
Semester Projects –30%
Final Project – 50%
However, your contribution to the CLASS DIALOG AND THE WRITTEN FINAL will weigh very heavily on your final grade.


REQUIRED MATERIALS
35mm CAMERA:
Recommended manually adjustable apertures and shutter speeds.
Thumb Drive – Jump Drive to transfer digital imagery.
PHOTOGRAPHIC PAPER:
Recommended: ILLFORD Multigrade II RC - Available in the Crib
You will need approximately 50-150 sheets for this class.
FILM:
Recommended: Kodak 400 TMAX - Available in the Crib
You will need 15-30 rolls for this class
Negative preservers (5 frames x 7 rows) Available in the Crib
3 ring plastic negative protector
Plastic apron
Cotton towel
sharp scissors
RECOMMENDED MATERIALS
Protective clothing and rubber gloves, “Sharpie-type marking pen, and
Optional * Sketchbook for collecting ideas and logging data.


HEALTH AND SAFETY
THIS FACILITY IS FOR USE BY CURRENTLY REGISTERED PHOTOGRAPHY STUDENTS ONLY.

UNIVERSAL DARKROOM LAW -
Keep wet away from dry! There are specific wet and dry areas for all printing areas. Sinks are wet, stations are dry! No wet hands, no wet prints, no trays are to be near the enlargers.

There is an “ABSOLUTELY NO CELL PHONE” policy in place at this facility. All cell calls must be taken outside to avoid disturbing the class.



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